Talk on Indolence歌曲歌词：
作曲 : The Avett Brothers
Well I’ve been lockin’ myself up in my house for sometime now
Readin’ and writin’ and readin’ and thinkin’and searching for reasons and missing the seasons.
The Autumn, the
Spring, the
Summer, the snow.
The record will stop and the record will go.
Latches latched, the windows down,the dog coming in and the dog going out.
Up with caffeine and down with a shot.
Constantly worried about what
I’ve got.Distracting my work but
I can’t make a stopand my confidence on and my confidence off.
And I sink to the bottom and rise to the topand
I think to myself that
I do this a lot.
World outside just goes it goes it goes it goes it goes it goes…and witness it all from the blinds of my window.
THREE, FOU
RI’m a little nervous ’bout what you’ll think
When you see me in my swimming trunks
And last night in
New York I got raging drunk
Remember one time
I got raging drunk with you
Now, I can recall a time when we made the city
Streets our playground, kissing in the fountains
Filled with cigarettes and bottles
Sped through
Italian city streets of cobblestone
Because we had to
Because I loved you
Because the damned alcohol
Because what ever at all
Now I’ve grown too aware of my mortality
To let go and forget about dying
Long enough to drop the hammer down
And let the indolence go wild and flying through
Because we had to
Talk on IndolenceLRC歌词下载地址：
The Avett Brothers简介：
by Mark DemingNorth Carolina’s Avett Brothers play acoustic music that has roots in traditional folk and bluegrass, but also captures the high spirits and no-boundaries attitude of rock & roll — which is appropriate, since rock is where Scott Avett and Seth Avett cut their teeth as musicians. Although siblings Scott (vocals, banjo) and Seth (vocals, guitar) began making music together as children, their group’s genesis began when they were members of a rock band called Nemo, which gigged regularly in Greenville, NC. Looking for another outlet for their musical ideas, the Avetts began getting together with likeminded friends (most notably Nemo guitarist John Twomey) on Tuesdays for acoustic guitar pulls, where they’d share a few drinks and swap songs. As time passed, the weekly get-together (which was called “the Back Door Project” or “Nemo Downstairs”) became a semi-public event, with the pickers busking for the enjoyment of passers-by, and Seth and Scott felt the new acoustic music they were making was as fun and satisfying as their rock band.
Twomey and the Avetts decided to their side project in 2000, and “the Back Door Project” was renamed the Avett Brothers with the release of a self-titled album that same year. Nemo broke up before 2000 came to a close, and Seth and Scott decided to make the Avett Brothers their new priority. They amicably parted ways with Twomey and added upright bassist and vocalist Bob Crawford to the combo. After a few months of playing live shows, the new trio recorded its second album, 2002’s Country Was. The Avett Brothers hit the road upon the album’s release that summer, and used the opportunity to break in material for their next studio project, A Carolina Jubilee, which was released in 2003. (A live disc, Live at the Double Door Inn, was sandwiched between the two studio sets.)
Over the next several years, the Avett Brothers maintained a busy and prolific schedule, releasing a lengthy and ambitious studio album, Mignonette, in 2004, another live disc in 2005, and both a full-length album (Four Thieves Gone: The Robinsville Sessions) and an EP (The Gleam) in 2006, all recorded during breaks in the group’s heavy touring calendar. As if this weren’t enough to keep the three men occupied, Crawford also recorded and performed with his side project New Jersey Transient, Seth Avett released albums under the moniker Darling, and Seth and Scott occasionally played shows with their electric band Oh What a Nightmare. In 2007, the Avett Brothers reached a new level of popularity with Emotionalism, their first album to make a dent on the Billboard charts. Rick Rubin took notice and signed the band to American Recordings, his own division of Sony BMG/Columbia, during the summer of 2008. The Gleam II, issued just several months later, was the Avett Brothers’ last release on the Ramseur label.