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Robbie Basho《Blue Crystal Fire》歌词歌曲LRC下载

Robbie Basho《Blue Crystal Fire》歌词歌曲LRC下载

Blue Crystal Fire歌曲歌词:

Blue crystal fire

Blue crystal fire

Burn brightly in me

Burn brightly in me

In me my love

Smooth singing sunshine

Smooth singing sunshine

Wrap your blanket around me

Wrap your blanket around me

Around me my love

Fast flowing waterfall

Fast flowing waterfall

Wash my tears away

Wash my tears away

Away my love

Deep within the forest

Deep within the forest

There I wait for you

There I wait for you

For you my love

Deer with silver antlers

Deer with silver antlers

Come and dance with me

Come and dance with me

With me my love

Sweet smiling moonbeams

Sweet smiling moonbeams

Be my rhapsody

Be my rhap-so-deep

So deep my love

Blue crystal fire

Blue crystal fire

Burn brightly in me

Burn brightly in me

In me my love

Blue crystal fire

Blue crystal fire

Blue Crystal FireLRC歌词:

[00:06.339] Blue crystal fire

[00:14.150] Blue crystal fire

[00:21.755] Burn brightly in me

[00:27.294] Burn brightly in me

[00:32.488] In me my love

[00:38.442] Smooth singing sunshine

[00:46.823] Smooth singing sunshine

[00:53.872] Wrap your blanket around me

[00:59.558] Wrap your blanket around me

[01:04.342] Around me my love

[01:10.207] Fast flowing waterfall

[01:18.584] Fast flowing waterfall

[01:25.554] Wash my tears away

[01:32.496] Wash my tears away

[01:38.024] Away my love

[01:44.372] Deep within the forest

[01:51.565] Deep within the forest

[01:59.301] There I wait for you

[02:04.556] There I wait for you

[02:09.400] For you my love

[02:40.044] Deer with silver antlers

[02:48.109] Deer with silver antlers

[02:53.969] Come and dance with me

[03:00.610] Come and dance with me

[03:06.011] With me my love

[03:14.519] Sweet smiling moonbeams

[03:22.628] Sweet smiling moonbeams

[03:29.580] Be my rhapsody

[03:35.132] Be my rhap-so-deep

[03:39.716] So deep my love

[03:47.819] Blue crystal fire

[03:54.936] Blue crystal fire

[04:02.050] Burn brightly in me

[04:07.348] Burn brightly in me

[04:12.044] In me my love

[04:18.035] Blue crystal fire

[04:24.819] Blue crystal fire

Blue Crystal FireLRC歌词下载地址:

LRC歌词下载

Robbie Basho简介:

by Richie Unterberger
Robbie Basho was the least celebrated of the trio of ’60s acoustic guitar virtuosos who established themselves as innovators on the Takoma label (the other two were John Fahey and Leo Kottke). It’s not hard to surmise why Basho found a natural home on Takoma. Like Fahey and Kottke, he was determined to expand the horizons of the acoustic steel-string guitar by utilizing dissonance, unusual tunings, and influences from all over the world. At the same time, it’s not hard to see why Basho attracted a smaller, more specialized audience than Fahey and Kottke. His work requires a little more time and effort to absorb, and is more colored by Eastern and Indian modal influences.
“Haunting” is an overused adjective for Basho’s instrumentals (as it has often been for Fahey’s records), but entirely appropriate. Difficult to pigeonhole and categorize, Basho’s strums were characterized by a tension between spiritual, meditative moods and bursts of restlessness. In addition to American folk and Middle Eastern influences, traces of classical, Irish, koto, medieval, and other musics could be heard in his material (and he had notably little pure blues influence when compared to his Takoma label-mates). Occasionally he would add some eerie whistling, or even eerier, not to say unsettling, singing; even dedicated Basho fans concede that his vocals weren’t what you came to hear.
From the mid-’60s to his death in 1986, Basho recorded several respected if little-heard albums for Takoma, Windham Hill, and other labels. Windham Hill founder Will Ackerman, who wrote some appreciative liner notes on the 1996 reissue Guitar Soli, was a big fan of Basho. Like John Fahey, Basho’s solo instrumental approach helped lay the groundwork for the meditative new age sounds that Windham Hill and others would make a specialty. And also like Fahey, Basho’s work is far darker and more challenging than most of what is now categorized as new age music.

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