
Close The Door歌曲歌词:
Close the Door
i’m trying to catch you right before you leave ‘you leave’
cos you got his words for me
but your thought wasn’t what he say
our story isn’t ready for ending
it’s not alright it’s not ok
tonight hear me and i’ll walk away
just sit down
let me explain
but if this is where is to day
babe if you close the door
you knock out everything we’ve done before
you don’t have to close the door
don’t throw away the key till you know for sure
so close it on me on me on me on me on me
don’t close the door
so close it on me on me on me on me on me
don’t close the door
we’ve been thru big situations before
you can see that if you stop looking thru the people
i know that right now
the problem is all that you see
i figure out you have a better picture of me
it’s not alright it’s not ok
tonight hear me and i’ll walk away
just sit down
let me explain
but if this is where is to day
babe if you close the door
you knock out everything we’ve done before
you don’t have to close the door
don’t throw away the key till you know for sure
so close it on me on me on me on me on me
don’t close the door
so close it on me on me on me on me on me
don’t close the door
are you sure this is what you want
if you let me know now
cos someone got i’m gone
you know we both know
babe if you close the door
you knock out everything we’ve done before
you don’t have to close the door
don’t throw away the key till you know for sure
so close it on me on me on me on me on me
don’t close the door
so close it on me on me on me on me on me
don’t close the door
babe if you close the door
you knock out everything we’ve done before
you don’t have to close the door
don’t throw away the key till you know for sure
so close it on me on me on me on me on me
don’t close the door
so close it on me on me on me on me on me
don’t close the door
share with all music-mates~~
Close The DoorLRC歌词:
[00:00.24]Close the Door
[00:02.25]
[00:15.10]
[00:19.27]i’m trying to catch you right before you leave ‘you leave’
[00:23.08]cos you got his words for me
[00:26.69]but your thought wasn’t what he say
[00:30.31]our story isn’t ready for ending
[00:33.97]
[00:34.13]it’s not alright it’s not ok
[00:37.68]tonight hear me and i’ll walk away
[00:41.39]just sit down
[00:43.30]let me explain
[00:45.20]but if this is where is to day
[00:48.71]babe if you close the door
[00:52.47]you knock out everything we’ve done before
[00:55.78]you don’t have to close the door
[00:59.80]don’t throw away the key till you know for sure
[01:02.90]so close it on me on me on me on me on me
[01:09.73]don’t close the door
[01:11.13]so close it on me on me on me on me on me
[01:17.11]don’t close the door
[01:18.65]we’ve been thru big situations before
[01:21.29]you can see that if you stop looking thru the people
[01:25.93]i know that right now
[01:26.70]the problem is all that you see
[01:29.27]i figure out you have a better picture of me
[01:32.36]
[01:33.09]it’s not alright it’s not ok
[01:37.06]tonight hear me and i’ll walk away
[01:40.82]just sit down
[01:42.68]let me explain
[01:44.53]but if this is where is to day
[01:47.94]babe if you close the door
[01:51.80]you knock out everything we’ve done before
[01:55.15]you don’t have to close the door
[01:59.49]don’t throw away the key till you know for sure
[02:02.28]so close it on me on me on me on me on me
[02:08.93]don’t close the door
[02:10.06]so close it on me on me on me on me on me
[02:16.66]don’t close the door
[02:17.58]
[02:18.71]are you sure this is what you want
[02:22.17]if you let me know now
[02:25.98]cos someone got i’m gone
[02:30.26]you know we both know
[02:32.18]
[02:32.33]babe if you close the door
[02:36.50]you knock out everything we’ve done before
[02:39.80]you don’t have to close the door
[02:43.77]don’t throw away the key till you know for sure
[02:46.87]so close it on me on me on me on me on me
[02:53.52]don’t close the door
[02:54.65]so close it on me on me on me on me on me
[03:00.79]don’t close the door
[03:02.02]
[03:02.43]babe if you close the door
[03:06.04]you knock out everything we’ve done before
[03:09.29]you don’t have to close the door
[03:13.47]don’t throw away the key till you know for sure
[03:16.54]so close it on me on me on me on me on me
[03:23.29]don’t close the door
[03:24.53]so close it on me on me on me on me on me
[03:30.62]don’t close the door
[03:32.21]
[03:34.08]
[03:35.67]share with all music-mates~~
[03:37.16]
Close The DoorLRC歌词下载地址:
Teddy Pendergrass简介:
by Ed Hogan
Teddy Pendergrass started singing gospel music in Philadelphia churches, becoming an ordained minister at ten years old. While attending public school, he sang in the citywide McIntyre Elementary School Choir and in the All-City Stetson Junior High School Choir. A self-taught drummer, Pendergrass had a teen pop vocal group when he was 15.
By his late teens, Pendergrass was a drummer for local vocal group the Cadillacs. In the late 60s, the Cadillacs merged with another more-established group, Harold Melvin & the Blue Notes. In 1970, when the Blue Notes broke up, Melvin, now aware of Pendergrass vocal prowess, asked him to take the lead singer spot. Its no secret that Kenneth Gamble and Leon Huff wanted Marvin Junior of the Dells for their Philadelphia International Records roster. Since the Dells were signed to Chess, they were unavailable. When the gruffnready vocals of Pendergrass came their way, they eagerly signed the group.
Beginning with I Miss You, a steady stream of hit singles flowed from the collaboration of Pendergrass and Gamble & Huff: If You Dont Know Me By Now, The Love I Lost, Bad Luck, Wake Up Everybody (number one R&B for two weeks in 1976), and two gold albums, To Be True and Wake Up Everybody.
Unfortunately, the more success the group had, the more friction developed between Melvin and Pendergrass. Despite the revised billing of the group, Harold Melvin & the Blue Notes featuring Theodore Pendergrass, Pendergrass felt that he wasnt getting enough recognition. Around 1976, Pendergrass left Melvins Blue Notes and formed his own Blue Notes, featuring Teddy Pendergrass. Briefly, there was some confusion as to which Blue Notes were which. The resolution came when Pendergrass disbanded his Blue Notes in favor of a solo career and Melvins group signed a recording contract with Source Records, distributed through ABC Records, scoring a hit with I Want to Be Your Lover.
Pendergrass signed a new contract with Philadelphia International Records in late 1976/early 1977. He burst back on the scene with Teddy Pendergrass, a platinum solo debut that included the top-notch singles I Dont Love You Anymore, You Cant Hide From Yourself, and The More I Get the More I Want. Around this time, Pendergrass began to institute his infamous Ladies Only concerts. His next three albums went gold or platinum: Life Is a Song Worth Singing (1978), Teddy (1979), and Teddy Live (Coast to Coast). The hit single Close the Door was used in the film Soup for One, where Pendergrass had a small role.
The singer received several Grammy nominations during 1977 and 1978, Billboards 1977 Pop Album New Artist Award, an American Music Award for best R&B performer of 1978, and awards from Ebony magazine and the NAACP. He was also in consideration for the lead in the movie biopic The Otis Redding Story. The 70s ended, but Pendergrass kept racking up the hits. TP, his fifth solo album, went platinum in the summer of 1980 off the singles Turn Off the Lights, Come Go With Me, Shout and Scream, Its You I Love, and Cant We Try. Its Time for Love gave Pendergrass another gold album in summer 1981, which included the hit singles Love TKO and I Cant Live Without Your Love.
A 1982 car accident left Pendergrass paralyzed from the waist down and wheelchair bound. After almost a year of physical therapy and counseling, Pendergrass returned to the recording scene, signing a contract with Elektra/Asylum in 1983. His ninth solo album, his Elektra/Asylum debut, Love Language went gold the spring of 1984. Philadelphia International issued two albums of unreleased tracks, This Ones for You (1982) and Heaven Only Knows (1983). Other albums included Workin It Back (1985), Joy (1988, whose title track went to number one R&B for two weeks), and Little More Magic (1993). The latter half of 90s found Pendergrass recording for the Surefire/Wind Up label. Truly Blessed (the name of an 1991 Elektra album) is the title of the autobiography Pendergrass co-authored with Patricia Romanowski.
