Once You Say歌曲歌词：
ONCE YOU SAY
THEY CAN COME OVER
AND THEN THEY’LL COME
MIXED UP MIXED DOWN
LEFT RIGHT IS THE ONLY SOUND
THIS IS THE LONG THAT WAS THE SHORT
LOOK AT US WE’RE AT THE LAST RESORT
LISTEN
CAN’T STY YOU CAN’T LEAVE
JUDGE AND JURY WITH NO RELIEF
EXCUSES HAVE NO USES
YOU WANT CONTROL BUT YOUR STRENGTH REDUCES
ONCE YOU SAY
THEY CAN COME OVER
AND THEN THEY’LL COME
OPENED UP YOU SHUT THEM DOWN
LEFT RIGHT IS THE ONLY SOUND
THIS IS THE LONG THAT WAS THE SHORT
LOOK AT US WE’RE AT THE LAST RESORT
LISTEN WHY DON’T YOU SAY FIRE IN THE HOLE
LEFT RIGHT LEFT LEFT RIGHT LEFT
MOVE THAT BODY MOVE THAT BODY
THERE’S A FIRE IN THE HOLE
AND IT’S BURNING UP RIGHT
THERE’S A FIRE IN THE HOLE
IT’S GOING BURN ALL NIGHT
ONCE YOU SAY
THEY CAN COME OVER
AND THEN THEY’LL COME
LEFT RIGHT LEFT LEFT RIGHT LEFT
Once You SayLRC歌词下载地址：
Nitzer Ebb简介：
by John BushBefore the majority of industrial acts added guitars and became the heavy metal of the 1990s, Nitzer Ebb produced hard-hitting electronic music with the Teutonic bent and abrasive edge of early industrial music, plus the vocal chanting and beat-heavy flavor of the late-80s alternative and Balearic dance scene. Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing their affinity for dark goth and punk rock with the emerging technology. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, Isnt It Funny How Your Body Works, which appeared on the bands Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles Murderous and Let Your Body Learn in early 1987, just before the release of their debut album, That Total Age. After the single Join in the Chant was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producers role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like Hearts and Minds, Shame, and Lightning Man were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single Fun to Be Had even reached number two on the dance charts. The following years Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, I Give to You and Godhead. As a whole, though, the album showed Nitzer Ebb a bit confused as to where industrial music was going. Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth album, Big Hit. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework.